by Michael Miller, November 1, 2016
Almost any seasoned music lover will at some time complain about the globally-renowned musicians who play at Carnegie Hall, Symphony Hall, or Tanglewood. You’ll hear that the players in this orchestra or that are cynical and bored, that a particular violinist over the years has developed into a parody of herself, or that a certain pianist is going through a dry period and that the life has gone out of his playing. The most efficacious antidote for that malaise is to seek out young musicians who are still enthusiastic and still believe that they have to do their best all the time.
by Frank Daykin, June 29, 2016
Language has become so debased in our time, words no longer seem to mean what they once did, but one thing I can guarantee; an hour spent with duo-pianists Melvin Stecher and Norman Horowitz reveal them to be gentlemen, in the truest sense of the word. These dapper men have more energy than most people one-quarter their age. Their manners are impeccable, and their nurturing musical philosophy has kept them and their students going for decades. Their transformation from one of the world’s leading piano duos (five decades) to educators (four decades) to philanthropists (two decades) is dazzling.
by Stephen Sorokoff, June 26 2016
Unlike those TV competitions which have arguable talent and hyped elimination dramatics, The Eighth New York International Piano Competition presented by The Stecher Horowitz Foundation is just the opposite. From June 19-24 at The Manhattan School of Music, twenty two phenomenally talented young pianists ages 16-21 from around the world made some of the greatest music one can hear – and and they all won. Unique in the world of competitions, these gifted pianists compete for cash prizes and concert appearances. There is no elimination of participants during the competition’s four rounds. In addition to the prizes awarded to the winners the Foundation presents a cash award to each of the remaining contestants.
Legendary concert pianists Melvin Stecher and Norman Horowitz have created an event that is different than the traditional competition model where the focus is on winning. The New York International Piano Competition provides an opportunity for contestants to perform, network, exchange information and cultivate a support system that will carry them through their pre-professional years. There was however one obvious winner at the competition. The audiences! They got to hear some of the worlds greatest young pianists.
THE EIGHTH NEW YORK INTERNATIONAL PIANO COMPETITION (NYIPC) UNDER THE AUSPICES OF THE STECHER AND HOROWITZ FOUNDATIONGREENFIELD HALL, MANHATTAN SCHOOL OF MUSIC, NEW YORK, NY
by Rorianne Schrade, June 24, 2016
It was an honor and pleasure to be asked to review the awards recital of the New York International Piano Competition – now its Eighth Biennial event – as I had enjoyed and written quite favorably about its seventh competition back in 2014. Interested readers may wish to read about the 2014 edition by following the link here: Seventh International Piano Competition in Review. To reiterate my positive reactions, this competition stands out in two special ways from other competitions. First of all, everyone is a winner in a way, because, in addition to the major prizes, there is a finalists’ award for each of the remaining contestants. Secondly, there is outstanding commitment to maintain relationships between the contestants and the organization, under the leadership of Melvin Stecher and Norman Horowitz, both veteran musicians and mentors. To read more about this remarkable duo, the reader can also read a recent article by Frank Daykin entitled “The Musical Father Figures We All Need” by clicking here: The Musical Father Figures We All Need. One may also click here to visit the competition website:http://stecherandhorowitz.org/competition/.
by Aidan Langston – 7.25.16
(NYIPC), is no stranger to the big stage—he’s been playing the piano since he was three years old. Sham, who is originally from Hong Kong, and is a rising sophomore enrolled in the dual-degree A.B.-master’s program with the New England Conservatory (NEC), won the competition’s first prize of $10,000, plus concert and recital appearances to come.
The competition has been held every other year since 2002, featuring pianists ages 16 to 21 from around the world. Its organizer is the Stecher and Horowitz Foundation, whose executive directors—Melvin Stecher and Norman Horowitz—started a music school in 1960. The two met as teens in 1951, and subsequently built a career together as a two-piano performing duo and as educators.
“I don’t think there are many organizations in the world that are musically oriented who have contributed [such] great talent to Harvard University as the Stecher and Horowitz Foundation,” Horowitz said. He explained that he and Stecher commissioned Walter Piston ’24, D.Mus. ’52, the renowned composer and former Naumburg professor of music, to write a concerto to celebrate Stecher and Horowitz’s tenth anniversary as a duo, which they performed for the first time in 1964. “So we’ve always had sort of a soft spot for Harvard,” Horowitz said.
Great News! We invite you to view the entire recording of the Live Stream of our Seminar with composer Lowell Liebermann, and moderated by WQXR Senior Consultant Robert Sherman.
From Fanfare Magazine, written by Carla Maria Verdino-Süllwold
September/October 2014 Issue
Everyone is a winner. They leave the competition either as a prize-winner or a finalist. Melvin Stecher and Norman Horowitz, founders and executive directors of the New York International Piano Competition, are speaking enthusiastically about one of the policies which distinguishes their contest from so many others. The famous piano duo members, who have enjoyed a long partnership on stage and in educational ventures, were gearing up for the seventh NYIPC, to be held June 22-27, 2014, when Fanfare had an opportunity to speak to them about their foundation and their work with young pianists.
STECHER & HOROWITZ DUO-PIANISTS is truly the “Unequaled Journey” of a remarkable duo. Tracing their lives from young piano students through years of pursuing a concert career, they created a school for the performing arts; composed and wrote an extensive educational piano library; and finally developed an international piano competition. All is documented in this comprehensive, delightful, and unique story.
I have long admired Melvin Stecher and Norman Horowitz for what they have achieved in the world of music. More than forty years ago I produced one of their 2-piano recitals for the British Broadcasting Corporation in London, and I well recall the sensation their playing aroused in me and my colleagues. Melvin and Norman always understood that celebrity is pointless unless one puts it to good use. They have a fascinating story to tell and it is all here in their eagerly awaited book of memoirs. I urge all to read it.
– ALAN WALKER
Author of the three-volume biography of Franz Liszt
Purchase your copy here